Last year we ran a competition around our newsletter with £100 to the charity of choice to the winner. Our winner , Andrew Deathe at the National Waterfront Museum, asked us to put the money into Lend With Care, a microfinance provider that lends to individuals in poor communities around the world to help them develop sustainable ways to earn a living.
So far we have supported nine people in places as diverse as Equador, the Philippines, Pakistan and Cambodia, with business that range from farming to general stores and carpentry. When loans are repaid (and we have seen no defaults so far) we simply find another individual to support.
And on the subject of giving, we’d like to highlight the challenge that the team at Equinox Design are undertaking in aid of Breakthrough Breast Cancer. A team of 20 are aiming to raise £5,000 by completing the Ben Nevis Challenge. They’re doing rather well but still need some further support – you can find their Just Giving page here if you’d like to contribute.
We’re pleased to have won a new piece of work with The Woodland Trust on a new visitor centre at Glen Finglas in the Trossachs National Park, part of The Woodland Trust’s largest property and supports remaining ancient trees as well as a programme to restore degraded areas of woodland. It is also home to some iconic wildlife including red deer, golden eagles and black grouse so there will be plenty for an interactive exhibit to feature.
The site will not be staffed but will provide the visitor with an opportunity to shelter from the weather and to find out more about what the Great Trossachs, and Glen Finglas in particular, have to offer.
The multi-touch screen will play an important part in introducing visitors to the site and helping them to make the most of their visit. It will centre on the map of the forest, with Glen Finglas highlighted, showing points of interest, walking trails, cycles routes and great views.
Photo Credit: vw.splitscreen via Compfight cc
Whenever we hand over our software to a client, we provide a copy on a USB stick with a manual that explains how to re-install the software should the need arise.
If you have an interactive exhibit but have not been provided with a back-up copy of the software, we’d strongly recommend that you make a copy, backing it up safely. A solid state hard drive need cost no more than £50-60 so it’s a cost effective investment that can prevent all kinds of problems, even the complete loss of your exhibit should the worst happen.
Our top tips for a contingency plan:
- Make sure you have a back-up of your software, either from your original developer or one you take yourself.
- Make sure it is kept safe, somewhere where it will not also be affected by any disaster that strikes your exhibit.
- Allocate responsibility for maintaining that back-up to a specific individual so that you always know where it is kept – and make sure that the details are passed on should that individual leave.
We have recently installed a new photo system at The World of Beatrix Potter in the Lake District. This creative approach is designed to appeal to families with young children, allowing them to be pictured with a range of favourite Beatrix Potter characters. The system replaces a previous system from a different provider.
We work closely with the attraction to maximise the revenue from the photo system. Remote measurement of key performance indicators such as the number of pictures taken and the number of items sold enables us to identify and improve conversion rates. We have been very pleased to discover at our recent meeting with the client that sales from the first month of operation of the new system are up 50% on sales from the same month last year with the older system.
When we factor in the visitor numbers, we get an even more detailed picture and this allows us to make recommendations to increase the use or the flow of visitors, eliminating bottlenecks, in order to meet sales targets.
As with any visitor attraction there are, inevitably, seasonal trends and this approach allows us to test changes and improvements before the busier times, so optimising the use of the photo system throughout the year.
Throughout the winter, the weather stations that we installed at the Edale and Derwent Valley Visitor Centres in the Peak District have been collecting temperature and rainfall data.
Working with experts from Manchester University we have written software that will take this data and predict moorland fire risk. Data will continue to be collected over the coming years and, as well as live fire risk prediction, visitors can see historical trends based on data from as far back as 1976 – we can already see that now spring is here the risk starts to increase.
This is the second phase of the Fire Aware project which will include the display of historical fire risk data, live data, two interactive games and a touchscreen exhibit explaining through images and interviews what goes on at various locations around the moors to reduce the risk of fire.
Read more about Phase One of the Fire Aware project here…
We’ve been having some interesting conversations this week with organisations that see the appeal of an interactive exhibition and which are far from being the traditional museum or visitor centre.
The common thread that we’ve observed is about bringing a “wow” factor to locations where you perhaps wouldn’t expect it and in ways that address particular challenges the organisations face.
One natural attraction has a fascinating tour but the logistics inherent in a visit to the site tend to cause, at one stage, a little bit of a slump in the visitor experience. It’s the ideal point at which to create a “wow” factor that enhances the visit, brings consistency throughout what is otherwise an experience that has plenty to boast about, and complements the human interaction with the guides.
We’ve also been talking to people at a church who are considering how best to use an interactive installation to appeal not only to their existing congregation but to also help inform, educate and engage different types of visitors.
School groups will be an important focus and the exhibit will explain the activities and services at the church, its artefacts, and its social history in ways that support the curriculum. The “wow” factor will certainly be an essential part in ensuring that they are successful in reaching out beyond their established audience.
When you invest in hardware for your interactive exhibits it makes good sense to maintain it properly to get the best possible use from it.
One little-known thing is that your computer contains a small battery to remember the date and time. It’s seems like a small thing but, if the battery dies, your computer doesn’t work. It’s worth checking whether this is the cause of a non-functioning computer because the battery costs around a mere 50p – it looks like this…
I you don’t fancy tinkering inside your computer yourself it can be easily fitted by your local IT repair specialist. That’s much more efficient and cost effective than sending your computer back to be repaired or replaced, not to mention saving the considerable hassle of re-commissioning it.
This battery usually lasts for 4-5 years so, if your hardware goes on the blink after this time period, it’s well worth checking to see if a new battery will help.
At Wide Sky Design head office in Nottingham, it’s certainly been a soggy winter but we’re lucky to have escaped the battering that the south coast has suffered. We’re particularly thinking of our friends at Hengistbury Head Nature Reserve, a Site of Special Scientific Interest.
We’ve been working on an animation and touchscreen exhibit to interpret the way that coastal erosion has shaped the area; it’s been fascinating to see how this has changed over the years. The headland sees around one million visitors every year which also takes its toll on the environment so we hope that the exhibition will help people understand how precious this protected area is.
2014 will be an exciting year for Wide Sky Design as we expand our team to keep up with demand from our growing client base. First to come on board, though, is our new marketing specialist, Francine Pickering who will be helping us to keep in touch with our clients and contacts and making sure that you all know about the exciting projects we’re working on – while we focus on working on them.
Francine said, “It’s great to be working with Wide Sky Design. The variety of projects they work on is fascinating and I’m looking forward to helping them shout about it.”
Interpretation project teams can take many forms and we find ourselves working closely with many different professionals from designers to fit-out companies, architects to electrical contractors, and content creators to academic specialists, as well as the client, of course.
Whatever the team make-up, we find our structured approach to project management goes down well. We understand the critical path of a project which supports the fit-out company and minimises any chance of delays.
It helps us all when we can be involved from the start, demystifying the technology we’ll be using so that hardware can be specified to suit the software that will be running on it and so that any exhibitions structures can be designed and built to accommodate the interactive elements without problems. Something as simple as laying out cables can run smoothly or cause last minute snags and delays and an upfront understanding of what is required makes sure it’s the former – certainly our preference.